Producer, engineer
Mumbai
KSHAH
Builds records out of dust, drum breaks and room noise. The first signing, and still the house sound.
Also new 01 / 09
03Roster
Signed for catalogue rather than for a cycle. Most of the roster is still here from their first release.
A label that only releases songs depends on its next release.
We own catalogue, administer publishing, and build brands that outlast the records that started them. That is the difference between a release schedule and a company.
How the company is structured →04For artists and partners
Label services, distribution, publishing administration and one-stop sync clearance — available to artists we sign and to those we do not.
01
The full release apparatus without the full signing. Term-limited and catalogue-specific.
02
Delivery to streaming, stores and physical, with metadata done properly the first time.
03
Registration and collection across societies. Writers keep their copyright.
04
One-stop clearance across most of the catalogue. A yes or a no from one conversation.
05The group
FMKR is the label. Boom Bap Bombay is the culture platform. Both are operated by FMKRP LLP, which holds the rights and runs the business.
Parent entity
Fat Man Kills Records Publishing LLP
The company that holds the rights, signs the contracts, and pays out the royalties. Every brand below operates on its infrastructure.
Record label
Est. 2019
Fat Man Kills Records
The label. Artist development, releases, creative direction, distribution and label services.
Visit
Culture platform
Est. 2021
Boom Bap Bombay
Curation, beat tapes, editorial, podcasts and events. A room built around the records rather than the release schedule.
Visit boombapbombay.com
(opens in a new tab)Live and nightlife
Coming soon
Club Earth 77
A live programming arm — residencies, club nights, and touring built around the roster.
In development
06Sibling brand
Curation, beat tapes, editorial, podcasts and events. A room built around the records rather than the release schedule.
Enquiries are segmented so they reach the right desk — demos to A&R, licensing to the rights team.